24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.
21 Hungarian Dances, WoO 1, No. 4 performed by the Strolling Strings of the United States Air Force Band. Track 13 from Strolling Strings 40th Anniversary (1994). Chief Master William Slusser, director.[1][2][3]
The traditional tune Pass Around The Bottle (And We'll All Take A Drink) (also credited as John Round's Body), performed by Gid Tanner and his Skillet Lickers
Choro habanera "Cubanita", composed by Chiquinha Gonzaga in 1898 [1] and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves. Recorded in 1908.
The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。
Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.
Choro "Pudesse esta paixão", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1912.
Choro "Te Amo", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1908.
A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.
21 Hungarian Dances, WoO 1, No. 1 performed by the Strolling Strings of the United States Air Force Band. Track 8 from On Wings of Song (1989). William Slusser, conducting.[1][2]
w:John Philip Sousa's w:The Thunderer, performed in 1896 by the w:United States Marine Corps Band, From Fife and Drum (1988, track 3). This is a Columbia Phonograph Company cylinder recording under the band directorship of Francesco Fanciulli.
Ave Maria performed by Alessandro Moreschi, the last of castratiAve María cantada por Alessandro Moreschi, el último castratoItaliano: Ave Maria cantata da Alessandro Moreshi, l'ultimo dei castrati
Jenny Lind polka. Forms part of a group of field materials documenting John Selleck performing Anglo-American music on the fiddle on October 2, 1939, collected by Sidney Robertson Cowell in Camino, California.
Автор: John Selleck, violin. Recorded by Sidney Robertson Cowell in Camino, California on October 2, 1939.
Choro "Mariana em Sarrilho", composed by Irineu de Almeida. Recorded by Grupo do Novo Cordo (clarinet, cavaquinho and guitar, but members are unknown) in 1907.
Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.
